Cinematic subjectivity in Zepo

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Abstract

The highly subjective storytelling in Zepo amplifies the emotional impact of the plot on the viewer. This article explores cinematic subjectivity in the film by identifying and analysing the instances of subjective storytelling, which range from the classical point of view shot to affected POV shots and additional subjective devices.
OriginalsprogEngelsk
TidsskriftShort Film Studies
Vol/bind8
Udgave nummer1
Sider (fra-til)25-28
Antal sider4
ISSN2042-7824
DOI
StatusUdgivet - 2018

Emneord

  • Medier, kommunikation og sprog

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