Cinematic subjectivity in Zepo

Per Kristensen

doi:10.1386/sfs.8.1.25_1

Cinematic subjectivity in Zepo

Per Kristensen

The Animation Workshop

Publikation: Bidrag til tidsskrift › Tidsskriftsartikel › Forskning › peer review

Abstract

The highly subjective storytelling in Zepo amplifies the emotional impact of the plot on the viewer. This article explores cinematic subjectivity in the film by identifying and analysing the instances of subjective storytelling, which range from the classical point of view shot to affected POV shots and additional subjective devices.

Originalsprog	Engelsk
Tidsskrift	Short Film Studies
Vol/bind	8
Udgave nummer	1
Sider (fra-til)	25-28
Antal sider	4
ISSN	2042-7824
DOI	https://doi.org/10.1386/sfs.8.1.25_1
Status	Udgivet - 2018

Emneord

Medier, kommunikation og sprog
storytelling

Adgang til dokumentet

10.1386/sfs.8.1.25_1

Citationsformater

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title = "Cinematic subjectivity in Zepo",

abstract = "The highly subjective storytelling in Zepo amplifies the emotional impact of the plot on the viewer. This article explores cinematic subjectivity in the film by identifying and analysing the instances of subjective storytelling, which range from the classical point of view shot to affected POV shots and additional subjective devices.",

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