Cinematic subjectivity in Zepo

Per Kristensen

doi:10.1386/sfs.8.1.25_1

Cinematic subjectivity in Zepo

Per Kristensen

The Animation Workshop

Research output: Contribution to journal › Journal article › Research › peer-review

Abstract

The highly subjective storytelling in Zepo amplifies the emotional impact of the plot on the viewer. This article explores cinematic subjectivity in the film by identifying and analysing the instances of subjective storytelling, which range from the classical point of view shot to affected POV shots and additional subjective devices.

Original language	English
Journal	Short Film Studies
Volume	8
Issue number	1
Pages (from-to)	25-28
Number of pages	4
ISSN	2042-7824
DOIs	https://doi.org/10.1386/sfs.8.1.25_1
Publication status	Published - 2018

Keywords

Media, communication and languages

Access to Document

10.1386/sfs.8.1.25_1

Cite this

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title = "Cinematic subjectivity in Zepo",

abstract = "The highly subjective storytelling in Zepo amplifies the emotional impact of the plot on the viewer. This article explores cinematic subjectivity in the film by identifying and analysing the instances of subjective storytelling, which range from the classical point of view shot to affected POV shots and additional subjective devices.",

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